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Experience the poignant beauty of "Danny Boy (Rm8)" with Neil J Milliner's emotive instrumental cover. In this heartfelt rendition, Milliner's expert instrumentation pays homage to this beloved Irish ballad, infusing it with depth and emotion. Allow yourself to be transported by the haunting melodies and soulful harmonies as Milliner's performance captures the essence of love, loss, and longing woven into the fabric of this classic tune. Whether you're drawn to the rich heritage of Irish music or simply seeking a moment of musical reflection, this cover is sure to touch your heart and stir your soul. Join us in savoring the beauty of Neil J Milliner's musical interpretation. Subscribe to his channel for more captivating instrumental covers and musical experiences. Don't forget to like, share, and comment to share the magic of music with others.
Indulge in the timeless beauty of "Eileen Aroon" with Neil J Milliner's captivating instrumental cover. In this exquisite rendition, Milliner's masterful instrumentation breathes new life into this beloved Irish melody. Allow yourself to be carried away by the haunting melodies and emotive harmonies as Milliner's performance captures the essence of love, longing, and nostalgia woven into the fabric of this classic tune. Whether you're drawn to the rich heritage of Irish music or simply seeking a moment of musical enchantment, this cover is sure to captivate your senses and transport you to a world of poetic beauty. Join us in savoring the magic of Neil J Milliner's musical interpretation. Subscribe to his channel for more captivating instrumental covers and musical experiences. Don't forget to like, share, and comment to share the joy of music with others.
In this heartfelt tribute, Neil J Milliner delivers a stirring rendition of "Lament For Brendan Behan." Through his soulful performance, Milliner captures the essence of the renowned Irish writer and playwright Brendan Behan, known for his wit, charm, and poignant storytelling. Set against a backdrop of haunting melodies, Milliner's interpretation pays homage to Behan's legacy, reflecting on his life, struggles, and enduring impact on literature and culture. Join us on a journey through the lyrical depths of Behan's spirit, as Neil J Milliner's music breathes new life into the memory of this beloved literary figure.
Indulge in the soothing sounds of Neil J Milliner's instrumental cover of "I'll Take You Home Again Kathleen." In this captivating rendition, Milliner skillfully plays the melody on his chosen instrument, enveloping listeners in a tranquil atmosphere filled with the essence of the classic Irish ballad. Allow yourself to be transported to a place of serene beauty as Milliner's musical prowess brings out the timeless charm of this beloved tune. Whether you're seeking relaxation, reflection, or simply a moment of musical bliss, this instrumental cover is sure to captivate your senses and soothe your soul. Join us in experiencing the enchantment of Neil J Milliner's musical interpretation. Subscribe to his channel for more captivating instrumental covers and musical delights. Don't forget to like, share, and comment to share the magic of music with others.
Dominic Behan (Irish: Doiminic Ó Beacháin; 22 October 1928 – 3 August 1989) was an Irish songwriter, singer, short story writer, novelist and playwright who wrote in both Irish and English. He was also a committed socialist and Irish Republican. Born into a literary family, Dominic Behan was one of the most influential Irish songwriters of the 20th century. Behan was born in inner-city Dublin into an educated working-class family. His father, Stephen Behan, fought for the Irish Republican Army (IRA) in the Anglo-Irish War. Dominic was the brother of Brendan Behan. His mother, Kathleen, a collector of songs and stories, took the boys on literary tours of the city. Behan's maternal uncle, Peadar Kearney, wrote "A Soldier's Song", the song the Irish National Anthem was based on. Another brother, Brian was also a playwright and writer. At the age of thirteen, Dominic left school to follow in his father's footsteps in the housepainting business. The family house in which Behan lived was the property of Christine English, Dominic's grandmother, who owned several properties in the city. His father Stephen, was a member of the IRA and had been one of Michael Collins' "Twelve Apostles", who were responsible for the deaths of several officers from the British Army during the Irish War of Independence. He was banned from a professional future career for refusing to swear allegiance to the British Crown after the Irish civil war.
The song Slievenamon, written in the mid 19th century by revolutionary and poet Charles Kickham, is a well-known patriotic and romantic song about an exile who longs to see "our flag unrolled and my true love to unfold / in the valley near Slievenamon". It is regarded as the unofficial "county anthem" of Co. Tipperary, regularly sung by crowds at sporting events. The mountain appears in the fairytale The Horned Woman as found in Celtic Fairy Tales (1892, by Joseph Jacobs), where it is the abode of a witches' coven. It is also mentioned in the books The Hidden Side of Things (1913) and The Lives of Alcyone (1924, with Annie Besant) written by the theosophist clairvoyant Charles Webster Leadbeater.[citation needed] Slievenamon was escorting the army's commander-in-chief, Michael Collins, when he was ambushed and killed near Béal na Bláth. The car, since renamed to the Irish Sliabh na mBan, has been preserved by the Irish Defence Forces. Slievenamon (Irish: Sliabh na mBan, [ˈʃlʲiəw n̪ˠə ˈmˠanˠ], "mountain of the women") is a mountain which is situated northwest of Carrick on Suir and northeast of Clonmel in County Tipperary, Ireland. It stands at 721 m (2,365 ft). Sitting at the western end of a range of low hills, Slievenamon is a striking conical mass, offering a dramatic view from the top over the counties of Tipperary, Kilkenny and Waterford. Much of its lower slopes is wooded. A low hill attached to Slievenamon, known as Carrigmaclea (a.k.a. Carraigmoclear), was the site of a battle during the Irish Rebellion of 1798.
"Boolavogue" is an Irish ballad commemorating the campaign of Father John Murphy and his army in County Wexford during the Irish Rebellion of 1798. It was composed by Patrick Joseph McCall in 1898, the centenary of the Rebellion. The ballad covers the victories of Father John Murphy of the town of Boolavogue in County Wexford as he led his parishioners in routing the Camolin Cavalry on 26 May 1798, to defeat the British at Oulart Hill, as well as at Enniscorthy. The Wexford insurgents fought bravely against professional troops, and were eventually defeated at the Battle of Vinegar Hill on 21 June. Father Murphy and the other leaders were hanged. McCall, who also composed the popular ballads "Kelly the Boy from Killanne" and "Follow Me up to Carlow", wrote "Boolavogue" to the old air "Eochaill" (in English, Youghal Harbour). The tune had previously been borrowed for the Irish/Australian traditional song "Moreton Bay" (1830), about an Irish convict's brutal treatment in Australia, and would later be used by Seán Ó Riada as part of the film score for Mise Éire (1959). The song was inspired by songs contemporary to the events of 1798 such as "Come All You Warriors". Liam Gaul [1] states that "Boolavogue" is the song most closely associated with PJ McCall, and has become an anthem for Wexford. Gaul notes that "Boolavogue" was not published in any of McCall’s literary works, and was first printed in the Irish Independent on 18 June 1898 under the title "Fr Murphy of the County Wexford". This title was still being used when it appeared in the 1922 edition of Padraig Breathnach’s Songs of the Gael. It was only later that the song became widely known as "Boolavogue". McCall was from Dublin, but often visited Wexford, and was familiar with its history and geography. "Boolavogue" contains references to people and places that played a major part in the 1798 Rising. Father Murphy was a priest who at first tried to persuade people not to take part in the rebellion. He changed his opinion and became a reluctant rebel leader after soldiers burned down the homes of his parishioners they suspected of rebellion. The Lieutenant Thomas Bookey whose 'regiment' is mentioned in the song was the leader of the Yeoman Cavalry in the Boolavogue area.
Elements of some versions of the song suggest that it dates from at least the mid 18th century. The Curragh of Kildare speaks of the actual Curragh, which is a large area of common land in Kildare, Ireland, used to rally the Irish Army. The history of the text is rather complicated. Versions were taken down at different times in Ireland by collectors like Petrie and Joyce. The song has also been collected in Scotland and even in England; the singer Frank Purslow collected a version (The Winter's Gone and Past) in Dorset.[1] Petrie was of the opinion that it was an "old Anglo-Irish song" and argued that the Scottish versions were most likely developed from it.[2] Several printed ballad versions exist, under titles such as The Lamenting Maid. The most well known version of the text, usually referred to by the title The Winter it is Past, is attributed to Robert Burns. Burns appears to have developed it from a popular stall-ballad, The Lovesick Maid, which referred to a highwayman called Johnson, who was hanged in 1750 for robbery in the Curragh.[3] Burns polished the original text considerably and removed two stanzas referring directly to Johnson. The resulting ballad was published in the collection the Scots Musical Museum.
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